DANNY DJELJOSEVIC

Blind Lady Ale House crayon sketches

Wed, 22 May 2013 21:58:32 -0700

Blind Lady Ale House crayon sketches

vacants: (by emily burtner)

Sun, 12 May 2013 12:00:01 -0700

vacants:

(by emily burtner)

Photo

Thu, 02 May 2013 00:46:38 -0700

This Matsumoto GOGO MONSTER hardcover is really pretty.

Wed, 24 Apr 2013 13:37:24 -0700

This Matsumoto GOGO MONSTER hardcover is really pretty.

rrrick: Stuff on my hard drive

Thu, 11 Apr 2013 15:00:01 -0700

rrrick:

Stuff on my hard drive

kateordie: Ha ha ha ha ha SPRING BREAK

Wed, 10 Apr 2013 19:13:41 -0700

kateordie:

Ha ha ha ha ha

SPRING BREAK

pokemayne: theres not a single thing i dislike about this...

Sun, 07 Apr 2013 14:47:48 -0700

pokemayne:

theres not a single thing i dislike about this photo

cameron-stewart: My contribution in full to the #bartkira...

Thu, 04 Apr 2013 12:35:07 -0700

cameron-stewart:

My contribution in full to the #bartkira project. This was tons of fun to do.

Cameron Stewart drew AKIRA-esque Simpsons manga. FUCK.

purenonsens: PLUSH ROOM Comic based on a dream I had one night...

Mon, 01 Apr 2013 12:26:41 -0700

purenonsens:

PLUSH ROOM

Comic based on a dream I had one night of March. Freud would have fun with this…

Love the style, love the colors, love the sequential storytelling. LOVE. IT.

SO. I wrote a four-issue comic called The Ghost Engine, drawn by...

Mon, 01 Apr 2013 12:12:00 -0700

SO. I wrote a four-issue comic called The Ghost Engine, drawn by the tremendously talented Eric Zawadzki. We put it online as a webcomic, which you can read from the beginning right here. The final page went up last Friday.

We’re already hard at work on our next project, which we’re announcing on April Fool’s because we thought you needed some realness in your day.

It’s called Panic Kids and you can expect it in 2014:

twentypercentcooler: vgjunk: I have to admire that kid’s...

Tue, 26 Mar 2013 15:30:50 -0700

twentypercentcooler:

vgjunk:

I have to admire that kid’s bravery - he clearly knows who Judge Dredd is and yet he still vows to defy him. That’s some real brand loyalty that Sega have built up there.

Judge Dredd vs. Dudes Who Really Love Sega is my favorite Judge Dredd story.

curtpires: joekeatinge: Chris Weston’s American Akira...

Tue, 26 Mar 2013 14:52:36 -0700

curtpires:

joekeatinge:

Chris Weston’s American Akira Storyboards.

Holy Shit.

Manomanomanoman

PROFESSIONAL WRITING TIP: If you’re having trouble with...

Tue, 26 Mar 2013 14:34:13 -0700

PROFESSIONAL WRITING TIP: If you’re having trouble with titles, feel free to lift one from THIS ALBUM AND ONLY THIS ALBUM

noahvansciver: Excerpt from a recent comic drawn for Benn Ray...

Tue, 26 Mar 2013 12:52:24 -0700

noahvansciver:

Excerpt from a recent comic drawn for Benn Ray at Atomic Books.

plslala: saint george (the legend and the other legend) for...

Mon, 25 Mar 2013 02:22:18 -0700

plslala:

saint george (the legend and the other legend) for this slow youth zine coming out for MOCCA next month

Whoa

mercurialblonde: Spring Breakers is the most America since Fear...

Mon, 25 Mar 2013 02:19:56 -0700

mercurialblonde:

Spring Breakers is the most America since Fear and Loathing in Las Vegas(the book). It’s everything people told me Django Unchained was—but actually was. I just got back from seeing it—and it was the richest, most engrossing film I’ve seen in a theater in awhile. I wasn’t a fan of Harmony Korine’s early stuff—but with his short films and music videos for Die Antwoord I was very interested to see where he was going with all of this—and Spring Breakers was it.

It’s like if Dogville and Manderlay were told from an actual American. A Terrence Mallick film used to be about something. Tree of Life was just mindless bullshit by someone disconnected from anything—past their prime of being able to speak with force. Korine owns that that shit—all of your lame voice overs of pretty cinematography are henceforth property of him.

This film is so rich. There’s things to talk about in terms of race in america. Guns in america. Youtube. Social Media. Being a woman in America. Money. Drugs. Spring Break.

The scene with Selena Gomez where she’s basically in tears because up until that point black people were just something you heard on the radio—the way Alien keeps asking her why she’s uncomfortable—and Korine frames up that this isn’t the white washed fake artifice that she was wanting to relive from MTV. That scene alone would have made the movie.

Spring Break goes all the way back to reconcstruction. It’s this shifty time mix of the fucked up brain soup we’re at in 2013. The White girl terrorist. The oppression of being a woman in america. How Korine shows you how every second of every day women are broken down and sexualized—cut up continiually into body parts for the amusement of men, and the bottom line of making money. It’s the come back on every rap song that talked about fucking bitches—and the logical end point of the white girls who grew up listening to that shit, still making no money compared to men. No future but age 17 to 22. Money, bitches, and guns culture. Reconstituted to “pretend it’s a video game, pretend your in a movie”—click the picture, click the screen, freeze the moment—be young, be beautiful forever.

It’s a death cult movie about demons and witch burnings. Cultural terrorists/tourists. White girls shooting black men, directed by white privileged men.

And a million other things. Fuck. Something actually about something. About nothing. About the nothingness and how fucking poisoned the well is—and it’s not even exploitation cinema in that sense—this isn’t a moral film. It doesn’t end with a this is horrible—this should be changed—look what we’ve done, the horror, the horror. It’s about the liberation of death and nothingness. The embrace of every thing of every second—because the emptiness is everything we have, will ever have, and you can be anything you want, no matter who you are—because the beautiful thing is you’ll always be nothing, and everything matters and doesn’t matter at the same time. Are you crazy for Jesus? Put a bullet in his brain, and pray harder.

I love that this movie happened, that there were ten million production companies at the front of it, that I saw it in a theater in fucking Tulsa, Oklahoma—that people left the theater confused, angry, and stupider for their time.

This is the kind of movie you have to take deep breaths after, before it completely warps what you’re doing in your own art. If I weren’t broke, I’d go see it seven more times tomorrow. Fuck every movie, you told me about for 2012 and 2013.

I love being alive in this fucked up weird brain warp of a future we live in now.

Cliff Martinez to score everything. Is it too late to cast Vanessa Hudgens in Lords of Salem? She’s #2013RaoulDuke. Even making that reference makes me old.

This write-up is incredible.

brianmichaelbendis: Aliens by Eduardo Risso GOD DAMMIT

Mon, 25 Mar 2013 02:14:53 -0700

brianmichaelbendis:

Aliens by Eduardo Risso

GOD DAMMIT

joekeatinge: brianmichaelbendis: Eduardo Risso -...

Mon, 25 Mar 2013 02:11:51 -0700

joekeatinge:

brianmichaelbendis:

Eduardo Risso - Bladerunner

oh my god

Photo

Mon, 25 Mar 2013 02:11:11 -0700

sloaneshutup: saw this cute style floating around but idk who...

Mon, 25 Mar 2013 02:07:24 -0700

sloaneshutup:

saw this cute style floating around but idk who the artist is but i like how they draw stuff and wanted to try and pull some elements from it. so. kissus.